2021
December 21st, 2021
5pm-6pm
Doug Van Nort Electro-Acoustic Orchestra: Works for the Winter Soltice
Since summer solstice, the group continues to go deep in their explorations, leading to an ever-expanding compositional language and repertoire of palettes that blend gesture, sound, structure, fixity, and spontaneity across diverse electro/acoustic instrumentation.
Selections from this evolution of palettes, which form part of the larger “Quarantine: A Telematic nO(t)pera” project, will be performed.
Credits:
Composition and Direction:
Doug Van Nort
Electro-Acoustic Orchestra:
Tom Bickley (EWI+FM synthesis), Viv Corringham (voice+electronics ), Björn Eriksson (feedback boxes), Rory Hoy (bass+electronics), Kathy Kennedy (voice+electronics), Kieran Maraj (kin/electronics), Omar Shabbar (max/msp), Danny Sheahan (violin+electronics), Doug Van Nort (soundpainting).
Virtual Staging:
Rory Hoy
A Request:
In these times, more than ever, we need to support the arts and performing artists for their important work. That said, in this case if you tune in to listen to this performance (and even if you don’t) we ask that you instead please donate to the Indian Residential School Survivors Society here: https://www.irsss.ca/donate.
September, 2021
The Dispersion Lab is pleased to be an Affiliate of the Jacktrip Foundation!
July, 2021
Listening and Sounding in Virtual Space – Call for Performers!
We are looking for a small number of participants to take part in a session of telematic structured improvisation as part of our ongoing research into experiences of telepresence in musical performance.
Players should have at least five years of professional experience in improvised musical performance. All types of instrumentation are welcome, both acoustic and electronic.
Chosen participants will be asked to take part in one performance+interview session of 60 minutes, and one follow-up listening session+interview of 60 minutes at a later date.
Participants will be placed in trio configurations, based on instrumentation and availability. The study is scheduled to occur on alternating Saturdays, with the follow-up listening session within two weeks of participation. These follow up dates are flexible with your schedules and can be negotiated.
Chosen participants will receive $75 for participation in the first session, and another $75 for participation in the second session, for their time and expertise.
Potential Performance Dates: May 15/29, June 12/26 (time tbd, between 10am-5pm ET)
Please fill out the following google form to provide contact info and to indicate your flexibility, limitations, or preference in regard to these dates. https://forms.gle/WPbcd2YYHVL93c1A9
Tech Requirements:
Participants MUST have a wired internet connection. A brief technical check meeting will occur before your assigned date in order to test network conditions.
The sessions will use the free software Jacktrip as well as Zoom. Access to these is required, and a tech setup meeting can be arranged for those with minimal experience with these technologies, or who require assistance for setup.
If you are interested in participating, or have any questions or comments, please contact us for further details.
June 20th, 2021
6pm-7pm
Doug Van Nort Electro-Acoustic Orchestra- nO(t)pera Summer Soltice Selections
Streaming Location: https://youtu.be/DVA7nL8Dq2o
The Doug Van Nort Electro-Acoustic Orchestra presents Summer Solstice Selections from Quarantine: A Telematic nO(t)pera! Since the Winter Solstice performance the group has reoriented, refined and there has been continued development of the musical material for this piece (more info on the nO(t)pera below).
For this performance, in the spirit of a summer breather, we will focus on the musical materials and leave the more complex elements like machine learning/audience participation for the fall – though there may just be a Casper the cat cameo.
Several palettes that are feeling good these days will be performed.
In these times, more than ever, we need to support the arts and performing artists for their important work. That said, in this case if you tune in to listen to this performance (and even if you don’t) we ask that you instead please donate to the Indian Residential School Survivors Society here: https://www.irsss.ca/donate
About:
Quarantine: A Telematic nO(t)pera is a piece by Doug Van Nort, created for the Electro-Acoustic Orchestra (EAO), for the virual space of connected isolation, for Casper the cat, and for self-sanity. It is not an Opera, but it is not not an Opera. It is a composition for musical, visual and virtual engagement. The music consists of multiple movements that span disparate sonic landscapes. It is organized by pre-composed palettes that integrate text, graphics, Soundpainting and software instruments, and are augmented with additional real-time composition via EAO’s unique Soundpainting conducting. This content is a crystallization of ideas that have emerged from months of regular online rehearsals that date back to the beginning of the pandemic, bringing together performers from three continents and numerous time zones. As a meditation on (and a product of) our network-mediated present, the nO(t)pera also introduces diverse networks of improvised collaboration: cross performer-machine collaboration, performer-animal collaboration and audience-machine-performer collaboration.
One palette from the Winter Solstice Edition: https://www.youtube.com/watch?v=QPp7es0T3To
Credits:
Composition and Direction:
Doug Van Nort
Electro-Acoustic Orchestra:
Eric Bhatnagar (guitar+pedals), Tom Bickley (EWI+FM synthesis), Viv Corringham (voice+electronics ), Björn Eriksson (feedback boxes), Rory Hoy (bass+electronics), Kathy Kennedy (voice+electronics), Aida Khorsandi (notpera FM patch), Kieran Maraj (kin/electronics), Omar Shabbar (guitar+electronics), Danny Sheahan (violin+electronics), Doug Van Nort (soundpainting).
Live action-or-lack-thereof:
Casper, the cat
Cat-herding and video work:
Stacy Denton
Virtual Staging and visuals:
Rory Hoy
March, 2021
Call for participants!
We wish to invite you to take part in a research study being conducted entitled “Embodied Digital Instrumental Systems: performer-system perspectives”.
The study emerges out of research being conducted at the DisPerSion Lab (http://dispersionlab.org/) and will take place remotely such as to comply with COVID restrictions and regulations.
For this study we are seeking participants who perform music and sound with digital instrumental systems. For the context of this study a digital instrumental system would include the following:
– utilizes digital technology as the dominant aspect of the system (versus acoustic and electronic instruments)
– improvisation is central to the performance of the system
– includes various interface modalities (sensors, touchpads, controllers, graphical user interfaces, microphones, live coding, to name a few) that provide:
a range of synchronous motion-sound mappings for real-time control of the sound output, and
asynchronous out-of-time control of the sound and sound structures.
– the range of output by the system potentially includes both determinate and indeterminate processes
– the system may incorporate machine learning
– the system may incorporate a database
The focus of the study is on the relationship that performers have with their instrumental systems and how this relationship is, and is perceived to be, embodied. The goal is to collect data related to performers’ interactions with their systems during performance utilizing a variety of methods for documentation and capture.
The study is scheduled to commence early/mid April 2021 requiring about 6-8 hours of your time over a two-week period.
Those chosen to participate will be compensated $150 for your expertise. There are a limited number of spaces for the study.
If you are interested in participating, or have any questions or comments, please contact me for further details.
January, 2021
Venture into the sonic world of ancient Chinese bronze bells, from tiny handbells to a 135-pound behemoth, including a matched set of orchestral bells from 2,500 years ago. Learn about the unique technology that allowed the most advanced bells to produce two tones, doubling the tonic range of each set—the most spectacular was composed of sixty-eight bells. Listen to new music videos created by digital composers from the United States and Canada using the sounds of these ancient instruments. Curator Keith Wilson leads a close examination of bells dating from the tenth to sixth centuries BCE. Composers Doug Van Nort (Ontario), Norman Lowrey (New Jersey), and Hugh Livingston (California) discuss their beautiful audiovisual creations made by utilizing the sounds of the bells recorded at the museum.
January, 2021
Call for participants!
We are currently conducting a study on experiences of time during collective electroacoustic improvisation (EAI). We are looking for performers with experience in EAI performance to participate in an ensemble performance session, followed by a later session of listening to and reflecting on this performance. Both of these meetings will take place over Zoom with the initial performance session lasting 60 minutes and the secondary reflection session lasting 30 minutes.
For the purpose of this study, “experience in electroacoustic improvisation” is defined as ongoing practice in improvised music performance involving electronically treated acoustic instrumentation and/or purely electronic signal processing. We seek participants with at least 2-3 years of such experience.